Fashion Utopia: IFS 2016 at Sommerset House

A look into a Utopian future through imaginative fashion and interactive event technology at the West Wing Galleries.

I am not a fashionista nor have I not attended many fashion shows. So please take note that this entry about Fashion Utopia Showcase is entirely about the exhibition rather than the fashion itself (although the pieces were amazing.)

As a spectator, the exploration of this collective Utopia transpired immediately at the entry of the West Wing Gallery and continued as a journey visiting each of the competing countries. The entry foyer transformation was a great initial taster of the show, its décor quite radical with bespoke larger than life organic installations lining the entry foyer walls. This layered installations appropriating topical mapping were recreated in two materials in poly foam and plywood, creating levelled stages for the mannequins adorned with Utopian collection pieces.

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Topographic map plinths

For those whom have not been to the West Wing Gallery, it’s a multi-sectioned space consisting of a long corridor with many pockets of rooms leading off one side. For this event the hall was treated with the mirror clad archways as well as a black sketch line graphic traced along the walls. This graphic served as a dynamic feature for the white walls while also serving as a pathway leading spectators from the corridor space to each of the “countries”. What made the journey exciting was the varied discovery of designs found in of each room. All these displays were eye catching but marginal enough not to remove focus from the displayed couture.

As there were so many rooms with over thirteen countries on display, my pictures are better to look at than my descriptions. So I am only going to mention the displays that either had a nifty design of use of engaging technology.

Egypt

Egypt’s gallery, although one of the smallest spaces had the intimacy and chic sophistication of a fashion boutique. It’s ceiling consisted of a beautiful canopy of suspended origami lotus flowers aligned leading your view to a mirrored wall. The mirrors allowed us a view of the back of the finely detailed fashion pieces. It was an inviting and clever way of transforming the 3mx 3m room with a high ceiling.

SlovakiaInteractive post digital book by Ján Šicko/ Dev Kid Studio

Slovakia also had a small sized gallery. Their design team used this to their advantage, creating a darkened room and spot light displays on the mannequins. However the main focus of the space was a plywood plinth in the rooms centre housing what has been described as a “interactive post digital book” display. This display consists of an oversized portfolio book made of plain brown paper pages and some minimal block shapes. Through the use of an overhead projector and pathway mapping software the book enabled the spectator to engage with this collection through vivid images and video.

To further communicate their inspirations each designer from Slovakia had created a vivid storybook or mini movie with interviews, scrapbook collections or stylistic trailers of their collection. Each of the pages contained a stamp unique to one of the four designers of the show. As the pages were turned a software reader would recognise the stamp and alter between the show reels projected into the book. This display drew in quite a few people to stop, admire and play with the images. It was an immediate way of understanding each fashion designers vision and made me admire the uniqueness of their Utopian adaptation.

Portugal2Portugal’s’ striking display was designed by Miguel Bento , he has also been the set designer for Portugal’s participation in IFP since 2013.

My next gallery stop was Portugal. Upon entry, a colossal geometric extrusion snaked its way through the space creating archways, walkway barriers and exhibition seating. This structure sectioned up the gallery, encouraging us to navigate past or climb through it’s spaces to look at the displayed couture. There was an element of live animation as within the archways, suspension cables with turning mechanisms rotated the mannequins for a 360 degree view of the apparels.

In striking contrast to the earthy tones of Portugal, Lebanon’s exhibition was sharp and electric with the use of slim fluorescent light tubes highlighting the curved archways. Its illuminated archways, creating an enclosure of two gallery spaces with a central arched pathway between both. I loved the lighting and arched framework which gave the display an industrial aesthetic and the cool toned lighting really illuminated the blue in fashion pieces. The wall blurb described “Playing with the Utopian co-existence of light and the material world, the exhibition is a re-imagining of familiar space.”

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Lebanon’s architectural arches

Lebanon’s aesthetic of “Blueprint Beirut” was strongly bared through the shades of indigo blue against white patterned lined prints. The overall look was had a ultra cool and high tech architectural look which surprisingly had a slightly challenging feel for the spectator to entry the space. With all the lights it feels like you the spectator are also now under the spotlight and part of the shows display with the central archway (most likely not intended) was reminiscent to that of a metal detector! One of Lebanon’s designers picked up on this jokingly mentioned “ Don’t worry, it’s not going to beep” to beckon some shy spectators from crossing through the archway.

Nigeria

Another high tech portfolio display was Nigerian space titled “Across the Bleed” utilizing the cardboard google VR headsets Briz Tech VR to allow the visitor to view short movie reels about the collection through virtual reality. My viewing contained an interview and discussion of some of the concepts and imagery selected by the five Nigerian fashion designers. These headsets were also part of the display of the models “here, visitors bear witness to the evolution of fashion: a utopian fashion that transcends the imagination, dynamically merges heritage and innovation, and takes its place in the veritable paradise of Africa and beyond.”

All in all the showcase it was an great journey to travel  and experience the Utopian cultures of thirteen countries all within one event space! I especially enjoyed and meeting with the artists and seeing all the beautiful  fashion pieces.   Overall I found the forms and style used in the couture and design to be fresh and unprecedented, a real inspirational gem! If you saw the show I am sure you will be in agreement with me that it was well worth rushing to see in the short four days duration.

All quotes on the exhibitions are from the IFS 2016 website. For more information of each of the designers and the exhibition, click below:

https://www.somersethouse.org.uk/fashion/fashion-utopias

 

An “Urban Oasis” in Sheppards Bush

At London Westfields in late February a glass “Urban Oasis” structure was temporarily installed near the main forecourt. A beautiful glass encasement with glamorous faces and luxurious mysteries waiting to be discovered by women passing by.

To be honest I have never considered Clarins to be a brand which I would consider looking to for my daily skin care regime, having never tried any of the products previously. I am usually drawn to the ones I am familiar with used from my twenties like Clinique or Kiehls.

It was certainly a high end experience without the snobbery as the Clarins hosts were welcoming and attentive from the second I stepped inside.

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With the smell of soft botanical fragrances wafting through the air the “Urban Oasis” felt like an immediate escape upon entering the glass double doors. A lady named Jasmin gave me a brief introduction of the four stations involved with my journey around the oasis, so with my “Urban Oasis” passport in hand I began my journey.

I was escorted to my first stop, the face mapping enclosure where I sat in a small and comforting darkened space. Beautiful animated imagery of the sun, wind and rain elements were paraded across well as my face and the background whilst a soothing voice narrated a typical day of skin environmental exposure. A short video documented my experience as well as some photographs taken with some beautiful images I could download as a keepsake.

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At the second pod I was introduced to a lovely Scottish girl named Emma who enquired about my usual skin care regime ( very basic at best). Sitting at the individual consultation pods I was introduced to a range of toners, serums and creams based on my reactions of the face mapping experience. With my part Asian lineage, oily skin is one of the attributes I look to prevent by avoiding excess moisturisers. With Emma’s suggestion of using the serum as well the light moisturiser I was surprised at how smooth and light the combination of the two felt. Another aspect which drew me in was with light botanical scents also made the sampling a refreshing experience.

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Unfortunately due to the limited time I had to skip the third pod, which was a Clarins facial conducted at the beauty bars. Each bar consisted of a makeup mirror with a very comfortable reclining chair to accommodate and comfortably seat the lucky women who could book in for facial consultations. After seeing one lady facial transforming her into a state of bliss I certainly had plans to book again for this in the next week.

The ultimate experience which wrapped my Urban Oasis visit was a relaxing shoulder massage perfumed bythe Clarins scent of Eau de Jardins. As my lovely masseuse massaged all the pressure points in my shoulders. I was told a brief story on the Clarins origins in the romantic city of Paris of all places.

Welcome to the samples station! I was delightfully lead to the last pod in the Urban Oasis. the samples station! There I submitted my passport card and was delightful instructed to select my free Clarins samples before my departure. To further personalise the experience I could also select a photograph from my facial mapping experience for a keepsake. So with goody bag in hand I delayed my travels back to reality.

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Once I was home with my samples ready to use that evening, I had forgotten what I was mean to apply in which order. Was I meant to rub the moisturiser in my hand and pat it on my face after applying the serum on with a cotton pad? Thankfully upon checking my emails, I had received an email from Clarins with the skin care products that Emma had consulted with me earlier that day. Not only did it list the items but also had details on the sequence and process of application, dilemma solved!

The experience as a whole felt quite generous as well as genuinely relaxing as the staff all seemed to have an enthusiastic and positive presence. I have no experienced an activation so personalised and polished as this one that Clarins has provided which has made me reconsider it as a brand which I will look out for to supply my beauty regime. Now for the important question ..do I have time next week to head back to the Oasis for that 15 minute facial?

Missed out on the experience in London? The “Urban Oasis” is touring the U.K and be stopping at Birmingham and Edinburgh during March 2016.

See the link for dates and locations:Urban Oasis U.K travel locations

Playing with your food is a #Indulgence experience

Early this February Westfields had teamed up with gourmet food giants Marks and Spencer as well as theatrical food enterprise Condiment Junkie to create exploratory tasting experiences that appealed to the five human senses.

Having missed out on last years food and sensory activation I was quite eager not to miss out on seeing this one in February 2016. I mean who doesn’t like playing with food, especially when it will be dramatised and presented in a non conventional ways.

Examples of exquisite and luxury food items were displayed on individual plinths such as the Yubari melon which has been know to sell for up to $20,000 a melon.

Four pods of sensory food fun had been positioned in the open atrium of Westfields main entrance with a centre reception area serving as a greeting and information desk. Each of the enclosed pods was adorned with captivating titles to entice the palate such as ” Guilty Pleasures, The Rarest of Tastes, Extreme Intensity and Sumptuous Smells.”

 

 

My first pod experience consisted of the “Sumptuous Smells”, where we were lead into the enclosure housing a knot of bright yellow tubes with oversized openings similar to oversized tuba’s openings.  To begin the experiment we were asked how much we thought the aroma of a food item influenced our taste buds during the process of chewing food.         Truthfully, my thoughts on this were around the fifty-precent taste and fifty precent  aroma.

To conduct this experiment we were given pieces of plain madeira cake to sample. These tuba openings turned out to be aroma enclosures in which five alluring aromas would effervesce into our air space.  Surprisingly the pieces of cake I sampled with each “tuba” began to change taste to apple and spice, coffee, chocolate cinnamon and vanilla (my favourite) and a mystery floral aroma of which I would never have guessed to be sandalwood. With the five aromas inhaled and the pieces of cake now sadly gone, we could cast a voted on our favourite scent as we left the room.

 

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Guilty pleasures wheel

Surprisingly the second enclosure of “Guilty Pleasures” had a sixties game show theme with retro rainbows on acid patterned wallpaper, fluorescent pink velour carpet and a giant turn wheel mounted on the floor in the centre of the room. After being introduced to the concept of “guilty food pleasures” such as melted cheese or chips in gravy were encouraged to try some new and unthought-of simple Marks and Spencer food combinations.

The attendant’s characters well suited the miniature mock game show set, as the first was an eccentric female chef and the second a larger than life game show host. As ten people entered the pod, two were picked out are team captains to spin the wheel to select one of three slightly odd food combinations such as “ Yum Yums with sweet toppings” (croissant pieces with custard and sprinkles) and cheese twists served with a salad cream dipping sauce. To be honest, these were not my idea of a guilty pleasure however having being a big fan of “Wheel of fortune” it was fun to be a momentary contestant of a mock game show especially when it involved eating food.

The “Extreme Intensity” pod was a minimalist science lab complete with white walls, a central oval plinth and white LED screen flooring that excitingly changed image during the experimental eating of the small but powerfully flavoursome mystery food (exquisite dark chocolate miniature sized truffles). The presentation of the mystery food was cleverly housed in a large clear glass cloche, further disguised with a misty dry ice fog to conceal its contents. This was clever yet very simple approach by Condiment Junkie to build up mystery and add a weird science factor to this food experiment.

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Scientists at work

Last but not least “The Rarest of Tastes” pod experience had the biggest build up of anticipation due to its secretive roof enclosed and tinted darkened windows. I had saved this room till last as I had heard rumour from one of the “Indulgence” attendees that room was intended for sampling luxury chocolate!

Upon entering the red curtained draped doorway a darkened room with a central low hanging chandelier was revealed. Examples of exquisite and luxury food items were displayed on individual plinths such as the Yubari melon which has been know to sell for up to $20,000 a melon (It was a replica melon on display. I had to ask). In this room we were encourage to try luxury food items from the Marks and Spencer range such as caviar, a limited edition soft blue cheese and a luxury dark chocolate to finish off.

All in all, the sensory experience took me roughly 75 mins to complete all four as there was a 10-15 minute line up per pod. Certain measures seemed to be put in place to keep people excited and discourage them from growing impatient whilst lining up at each activation.

The experiment, which was of most interest, was the “Sumptuous Smells” as it make me realise how aroma can greatly influence how a food item can taste.

Upon receiving our “Indulgence” passport books from the reception desk we were informed that each room consisted of a reward stamp. Only after collecting all four we could receive a prize ( more chocolate of course) as well as enter a competition to win £250 voucher of Marks and Spencer food.

Seeing a glimpse into each of the differently themes rooms through the porthole like windows peaked my interest enough to want to stay the wait. The experiment, which was of most interest, was the “Sumptuous Smells” as it make me realise how aroma can greatly influence how a food item can taste.

With the select array of M&S foods sampled, I would most likely purchase the blue soft cheese in my next grocery shop. Overall the experience was more of a playful activation rather than an educational one. Although admittedly I did enjoy the anticipation of experiencing each differently themed pods.

Overall the experience seemed like a bit of fun for  parents with their children during the half term break, and a great way for Westfields and Marks and Spencer to reinforce it’s branding with quality and recognition through out all age demographics.